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Additionally, the development of the designer system, and the role of the fashion designer as a catalyst of stylistic change, laid the foundation for the universe of designers and brands integral to todays fashion industry.After the opening chapter, the text is organized into chapters dealing with individual decades.We start this history of fashion m 1850 - and call it "modern” - for several reasons.During this period, mechanized production, including power looms and the widespread use of the sewing machine, transformed the manufacture of clothing.Acknowledgements During the years of researching and writing this book, we were assisted and encouraged by friends and family, colleagues and students.
However, with few exceptions, w T e have found that there is a spirit that prevails through each decade.
A catalogue record for this book is available from the British Library ISBN 978 1 78067 603 6 Designer Crrta Rose-lnnes Picture Researcher Heather Vickers Development Editor Anne Towniey Senior Editor Felicity Maunder Frontispiece A ready-to-wear dress by Alexander Mc Queen. However, these styles reflected not just current taste, but also incorporated the latest in technology: new dyes and fabric finishes, innovative construction methods, and industrial garment production.
What was true in 1850 remains valid now: fashion consistently reflects technological innovations and economic and political developments, and relates to prevailing styles in the fine and decorative arts.
Early chapters present haute couture In Paris as the source of style; by the start of the 2000s, Asia's influence is significant.
This book is intended to expand the narrative and dialogue of modern fashion, a vibrant, rapidly changing cultural form that is an important component of the increasingly globalized world.
Clare Sauro of the Robert and Penny Fox Historic Costume Collection at Drexel University and Cynthia Cooper of the Mc Cord Museum of Canadian History offered insights and expertise.