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We've got some terrible teen going on right now in the Halloween episode. After doing five seasons on Las Vegas, was this in your plan to jump into another series right away, to potentially keep you really busy for many years to come? I have a lot of features that I still have on hold that I put on hold five years ago. NBC sort of handed me the show and said, "Do you want to do this? That's usually a reason to jump into something, because if I'm staying awake obsessing about it, then there's probably a good reason for me to be doing it. We live in a world where there's terrorism, where people are trying to destroy and kill each other, and the stakes are a lot higher. Back on the original show, KITT was really a science fiction creation. Justin, I wanted to ask you a little bit about working with Hasselhoff on the film and if you were intimidated at all. It's one of those that I get to tell my grandkids about. What do you feel the veteran actors, like Val Kilmer and Bruce Davidson, bring to the show? Plus, you know, the great thing about Val is he has such a voice that he can sort of, you know, get in this character of KITT. And Val's really embraced the idea of working on a weekly basis.
Justin and Deanna, you've both done some time in the daytime world. Today, how much of a science fiction creation do you think the car is or is it even this close to reality? They're working on cars that can drive themselves using sensors, so they will never wreck. Is there any pressure that you feel playing the son of Michael Knight? He's able to go in all the directions that we ask him, because KITT is learning from a point to another point. He starts to learn something more, and in learning he actually imparts much more wisdom in some strange way than our humans do. : With each script, I found out more and more about Mike.
The idea is going from you know, as if a child would go from say sixth grade all the way through college. We live in a different world than the original show. I think the movie just sort of set the table and bridged the gap between the original series and this series. We try to remember that when we're writing the episodes. There's a lot of explanations to be done and that they can do it because they're pros and know how to deliver that information so it doesn't just sound expository. You only have basically 43 minutes to tell a story and at some point, no matter what the TV show is, you have to explain something.
It's the idea of training him and making him learn or having him learn. The other thing was that I started thinking about it, and once I started thinking about it I couldn't turn it off. In the original show it was a drug dealer here, a runaway there. And Doug and Dave, my relationship with them is they're Exec Producers. So we communicate on all facets of the production from scripts through cuts. When he came to the set I was fine until we were in the middle of the scene and he introduced himself as Michael Knight. But other than that, it was a wonderful experience. : I can't speak for these guys, but it's great as a writer. And to have pros who can pull it off and pull it off in a way that it doesn't seem like it's just spoon-feeding an audience is fantastic.
You said earlier that this series was going to be in no way, shape or form even close to resembling the pilot.
billy morgan • deanna russo • exit light enter knight • justin bruening • k.i.t.t.
: It's not so much a teenager as that he's actually learning. At relentless pace, and that there's an audience out there for cars.
It's a developmental process through the course of the first season. Its kind of balls to the wall, flat out go, high-octane adrenaline. We're a huge car society, so people like to tune in for cars.
I think John Stamos was the guy who stayed with her the longest and that was just a few months. Anyway, she now has some old, rich German guy she wants everyone to know is her boyfriend.
The Rob Morrow thing seemed to only last a few dates. We are talking about a couple here that have been on and off, but were always on back in the day(see above) when Rob did not have anyone in his life.
How do you think that world prepares you for really anything else outside the soap world? Deanna and Justin, how often do you guys crack up on set considering that you're dealing with a talking car day in and day out? I mean, it seems just a step away.: It's very close. And, you know, a lot of it's fun for me because there's a lot of things that he doesn't remember.