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More importantly, it treats Shaw’s changes to the final act…Conolly’s explanatory footnotes are invaluable for teachers, directors, and actors as well as students.— Bernard F. Conolly provides the perfect biographical, historical, and philosophical source documents to decide whether or not Shaw was right to suppress his first ending—an important dramatic treatise on divorce laws and gender equality that is the foundation of later plays.Conolly is a sure-footed, amiable guide, illuminating the play’s production and reception history while providing the reader with all the tools she needs to understand why this ‘restored’ text is not simply a neglected curiosity, but instead a major event in the history of modern drama.” — Lawrence Switzky, University of Toronto “L. Conolly’s excellent scholarship expertly guides both students and scholars through the tangled and fascinating history of Shaw’s controversial first draft of .He’ll tell you you’re the love of your life and that you’ve got great eyes, great legs and great everything.But how do you know when you’ve got a womanizer on your hands and not the genuine article?
Just as Shaw’s other “unpleasant” plays, makes the case for more liberal legislation to allow easier divorce—particularly for women—when marriages become irretrievably broken.